Karim López is an award-winning Film & Television Editor, Director and Producer from Brooklyn, NY. His work has screened at major U.S. and International film festivals including: Cannes, Tribeca, Rotterdam, New York Film Festival, Int'l Documentary Film Festival of Amsterdam, Palm Springs Shorts Fest; and been broadcast on PBS, BBC, A&E, Amazon, Netflix, and the Franco-German network, Arte.

In 2016 Karim edited three features. The documentary, Frank Serpico, which he also co-produced (Director, Antonino D’Ambrosio), premiered at the 2017 Tribeca Film Festival in the Spotlight section, and was released by IFC Sundance Selects. He also cut the independent narrative film, On the Seventh Day, by acclaimed Writer-Director, Jim McKay (Girlstown, Our Song, Everyday People); as well as a re-make of Francis Ford Coppola’s first film, the cult horror classic, Dementia 13, for NBC-Universal.

He cut the narrative feature, Chee and T (Director, Tanuj Chopra), which won a Special Jury Prize for Comedy at the 2016 Los Angeles Film Festival. The documentary, Garden of the Peaceful Dragon (Director, Daniel Peddle), which Karim edited and produced, won Best Documentary at the 2017 Harlem International Film Festival.




Some recent highlights:

2015 / Edited Chee and T, narrative feature directed by Tanuj Chopra (Punching at the Sun)
Winner, Special Jury Prize for Comedy, 2016 Los Angeles Film Festival
Winner, Best Narrative Feature, San Diego Asian American Film Festival

2014 / Edited and co-produced the feature-length documentary, We're Still Here (Director, Antonino D’Ambrosio, based on his book, A Heartbeat and a Guitar), for Sony Masterworks, about the little-known Native American protest album, Bitter Tears, recorded by Johnny Cash. The doc aired nationally on PBS, Winter 2016.

2014 / Edited the short doc, Speak the Words the Way You Breathe, broadcast on French-German network Arte
2015 New York Film Festival / Winner of more than 20 International festival awards, as part of the Soundhunters Project

2013 / Edited the narrative feature, Sunset Edge (Director, Daniel Peddle), distributed by KINO LORBER.

2012 / Edited and co-produced the documentary, Let Fury Have the Hour (Director, Antonino D'Ambrosio)
2012 Tribeca Film Festival / Rotterdam International Film Festival / DocHouse, London, UK.
Executive Produced by Brian and Brooke Devine (The Great Invisible, Goodbye Solo, Night Catches Us) and Jonathan Gray (Blue Caprice, Diana Vreeland:The Eye Has to Travel).

Karim's narrative short, The Last Days of Hustling, (which he wrote, shot, directed and edited) played at the 2015 Cannes Film Festival's Short Film Corner and won Best Narrative Short at the 2016 Miami Independent Film Festival.


Praise for Frank Serpico:
“With unprecedented access to Serpico... [this] compelling documentary offers an intimate portrait of a man whose personal crusade proved both a calling and a curse.”— Screen Daily

“Finally, the definitive documentary on the man who has arguably become the world's most famous police officer comes to the big screen... with artistry and grace.” — Forbes

2017 Tribeca Film Festival Critics Choice – The Independent



Praise for Chee and T:

Winner, Special Jury Prize for Comedy, 2016 Los Angeles Film Festival

Winner, Best Narrative Feature, 2016 San Diego Asian American Film Festival

More Info about Chee and T



Praise for Sunset Edge:

"Filled with gorgeous imagery... the film casts an hypnotic spell." — Hollywood Reporter

“meditative and introspective DIY filmmaking at its finest… the second section is a mini-masterpiece in pure visual storytelling." — Indiewire

"a densely atmospheric portrait of disaffected youth… that flouts preconceived notions at every unconventional turn...at once immediate and timeless." — LA Times

More information about Sunset Edge / Press



Praise for Let Fury Have the Hour:

"Applying the DIY aesthetic that once galvanized his interviewees, D'Ambrosio (working with editor Karim López) infuses faded bits of found footage with surprising energy. Artists... beam about the social consciousness their efforts engendered, while a wall-to-wall soundtrack, and excerpts from "Matewan" and "Brother From Another Planet" illustrate the power of their output and the importance of those that influenced them."  — Variety

“Exuberant… a thoughtful and entertaining debut film.” — Adam Schartoff, New York Times

“Dynamic and exhilarating… Less a history of art than a history of what art can do, the documentary has the potential to testify to the power of artistic expression -- and also become a version of it.” — Indiewire

“Let Fury Have the Hour is a cinematic movement, not just a film.” — E. Nina Rothe, Huffington Post

More information about Let Fury Have the Hour / Press


Management: Pipeline Talent